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Entuzjastyczne recenzje koncertów Charlotte Gainsbourg!

2010-06-15

Charlotte Gainsbourg, która 29 czerwca 2010 r., w ramach maltafestival poznań 2010 wystąpi na jedynym koncercie w Polsce, zakończyła amerykański odcinek trasy koncertowej promującej jej nową płytę „IRM”. Występy artystki zostały entuzjastycznie przyjęte zarówno przez publiczność, jak i krytykę. Podobne sygnały dochodzą po pierwszych europejskich koncertach.

Z niecierpliwością czekamy na Charlotte Gainsbourg w Poznaniu – już 29 czerwca!
Poniżej kilka linków do recenzji, które ukazały się w amerykańskich mediach:

LA TIMES
http://latimesblogs.latimes.com/music_blog/2010/04/coachella-2010-swooning-with-charlotte-gainsbourg-and-spoon-gets-feisty.html
Gainsbourg's set was one of the most captivating 45 minutes of music I experienced at Coachella, then so be it. Opening straight-away with her title track "IRM," Gainsbourg and her band added a little live aggression to the songs, which served not to destroy the subtle moments but instead worked to add tension.

ENTERTAINMENT WEEKLY
http://music-mix.ew.com/2010/04/19/coachella-gorillaz-yorke-pavement/
Her five-piece backing band looked chicly bookish and sounded Beck-ish, as in IRM‘s producer. With their help Gainsbourg moved comfortably from jangly folk-rock to filigreed chamber-pop to strutting funk. She even did a sexy cover of “L’Hotel Particulier,” from her brilliant father Serge Gainsbourg’s Histoire de Melody Nelson. All in all, tres charmant.

TIME OUT CHICAGO
http://www3.timeoutny.com/chicago/blog/out-and-about/2010/04/charlotte-gainsbourg-am-at-park-west-live-review-and-photo-gallery/
Charlotte held her own live, but I really have to hand it to her multi-instrumentalist band (Amir Yaghmai - guitar/strings, Eric Gardner - drums, Bram Inscore - bass, Brian LeBarton- keys/percussion and Nicole Morier - guitar) for bringing her highly percussive studio tunes to life.

SF WEEKLY
http://blogs.sfweekly.com/shookdown/2010/04/last_night_charlotte_gainsbour.php
Charlotte Gainsbourg stepped out of the musical shadow of her father, showing fans she's a talented singer in her own right.

THE PORTLAND OREGONIAN
http://blog.oregonlive.com/madaboutmovies/2010/04/just_like_a_woman_swooning_for.html
It was a nearly chaste performance in many ways: minimal, clean, pure. Well, there's an aura to Charlotte Gainsbourg that transcends her work and even her not-insubstantial abilities and talents.  I think she's got gifts both in music and in drama. Charlotte Gainsbourg was born to music and acting and the flouting of conventions, and she accepts that onus as her birthright, and she carries it forward into the world with courage and conviction and talent and a great, great deal of grace.  And that was worth paying to see in person.

KEXP BLOG REVIEW OF SEATTLE
http://blog.kexp.org/blog/2010/04/23/live-review-charlotte-gainsbourg-crocodile-414/ She revisited not only her previous albums but also her father’s repertoire and even Bob Dylan’s. The cover of “Just Like A Woman” was a nice surprise and Gainsbourg sang it sitting on a tall stool, which gave a more intimate feel to it. Her whispery soft voice fit perfectly into Dylan’s lyrics. “Trick Pony”, one of the strongest tracks of IRM, closed the main set and it was full of energy. Not only for this song in particular but for all of them, her band was simply excellent. They had a lot do deal with and delivered brilliantly. People were delighted and the encore just doubled the feeling. Finally, the second cover of Serge Gainsbourg, “Couleur Café” (the first one was “Hotel Particulier”), made the considerable number of French people in the audience very happy and sing at the top of their lungs. The initially timid singer was now dancing and having a great time. It was a little piece of France right here in Washington State. The crowd loved you. Merci, Charlotte.

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